![sony a350 mount type sony a350 mount type](https://pxlmag.com/db/images/sensor-compare/Sony-Alpha-DSLR-A350-vs-Sony-SLT-A65-sensor-size-comparison.png)
You can also try to get a Minolta PCT-100, which is the predecessor of the FA-ST1AM.
#SONY A350 MOUNT TYPE PC#
I have seen the Sony FA-HS1AM (with ISO-518 hotshoe on top) and FA-ST1AM (with PC sync terminal) being offered for about 100 EUR, which is still much money for what it is. One Solution: Sony makes one for $175, but funds are limited and I can't afford that. a lot of old flashes are fine to use and automatic settings,though not TTL. If you want to stick with wired conections then the sony P.C adapter will prevent your cameras circuits being fried by the (potential) trigger voltage of your flash guns and studio flash.įor using older flash gun's, before conecting the to your camera, check out this site flash trigger voltage. I've bought a few set's of these, one with the sony/minolta fitting on and one with the standard shoe on for my canon gear.this gave me two differant triggers and six recievers for flashes. They also have a P.C socket for conecting to your studio flash,cable included.switchable channels for if someone else is using a set nearby.
#SONY A350 MOUNT TYPE ISO#
The set up i use is one that any flash gun can be connected to ie,sonyminolta iISO or the nikon,pentax,canon etc iso flashshoe (has each type ,one shoe at each end). Wireless flash triggering is quick, cheep,easy and safe. I just discovered there is a port for the remote flash (I'm slowly working my way through the manual)but is there something that will plug into this port and adapt to a PC Sync cable?
![sony a350 mount type sony a350 mount type](https://i.ebayimg.com/images/g/JNgAAOSwF31by2Xk/s-l300.jpg)
#SONY A350 MOUNT TYPE HOW TO#
I'm still learning how to use my camera and all of the great features. My nearest camera store is 90 miles one way, so I've got to purchase off the internet. Wireless would be sweet, but I'm okay with cable and can buy some wireless flash after I've gotten established and making a little money again. What are some Other Solutions? What am I missing? I've looked at the Pixel Pawns but they look like they need a Sony flash to fit on the remotes. The cheap adapter doesn't mention that feature. I do find adapters for $12 on eBay but I've read that the Sony model has circuitry to prevent flash feed back that will ruin the camera. I don't have the money to invest in new lights and I need an adapter that will fit on the hot shoe with a PC Sync port. Problem: I want to use off camera flash and my old Norman and Photogenic lights for studio work and my Sunpak 333 for location work, but they use the old PC Sync cable and the Sony a350 doesn't have a port. WOW has it ever changed with digital! I sold my Bronica ETRS and bought a Sony A350 and two Minolta lenses to get back into photography.
![sony a350 mount type sony a350 mount type](https://cdn.shopify.com/s/files/1/0265/6049/5670/products/31imucN9_nL_1024x1024.jpg)
The appearance of the mechanism suggests it may be the unit from the A700.History: I used to shoot professionally back in the late 80s and early 90s when photography was a different world. The Super SteadyShot system moves the sensor to compensate for user shake. The slightly odd Bionz name is again applied to the image processor in the A350, though presumably not the same one that was optimized for the A700's CMOS sensor. Rather than making use of the 'Exmor' CMOS sensor from the A700, the A350 is instead built around a CCD chip crammed with a staggering 14.2 million photosites. Sony may be confident in its application of marketing theory, but do those theories result in cameras that will satisfy photographers as well as sales projections? What's inside? Some existing Sony and Konica Minolta owners have been upset by the perceived reduction in features from the A100 but the new Alphas should perhaps be considered the first real Sony products, reflecting a different interpretation of how people choose entry level cameras, rather than the A100's continuation of the assumptions that underpinned the KM 5D. These baby Alphas, the 200, 300 and 350, are more similar than any group of cameras in any other manufacturer's lineup, complicating the market but also offering a greater degree of choice than ever. And, with the A300, Sony has introduced the first single-retailer "exclusive" DSLR: a product only sold through a single outlet, allowing that retailer to maintain a stronger level of influence over selling price. All three models are extremely close in terms of price and features (The A300 is a A200 with Live view or an A350 with a less pixel-dense sensor, depending on how you look at it). The recently introduced A200, A300 and A350 represent an aggressive assault on the entry level market. Its latest, the A350, still shows signs of that ancestry but also hints at the influences of a company with rather different intentions. Sony's first two DSLRs, the A100 and A700 showed clear signs of their Konica Minolta lineage - sharing a lot of DNA with the Maxxum (Dynax) 5D and 7D respectively.