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#MY NAME IS JOE THOMAS ZIPPYSHARE SERIES#
For the rest of the 1940s he was subjected to a series of one-shot recording sessions (for Freddie William's Hy-Tone label for Aladdin, backed by Gerald Wilson's powerful orchestra and for Capitol, with an all star quintet led by Pete Johnson). He stayed less than a year, recording just three songs with McShann's new sextet during the summer of 1945 (cf: Classics 966) before striking out alone. Waterford was a blues-shouter in the modern post-war mould emotional and expressive. Sometime around early 1945, Waterford, by now billing himself as "The Crown Prince Of The Blues", scored a top job with Jay McShann's Orchestra as a replacement for the unreliable Walter Brown.
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#MY NAME IS JOE THOMAS ZIPPYSHARE PROFESSIONAL#
According to his King publicity file, his first professional job was with Andy Kirk's 12 Clouds Of Joy at the Savoy Ballroom in Chicago, but he was also known to have fronted the KC-based Leslie Sheffield's Rhythmaires at Oklahoma City's Ritz Ballroom as far back as 1936, where he shared the bandstand with a rhythm section comprising Charlie Christian, Abe Bolar and Monk McFay. Another, Jay McShann, also led a band that carried more than its fair share of talent, having a concurrent effect on the slowly dividing jazz and blues fields Charlie Parker would eventually take his futuristic jazz ideas to New York City with the group, while the band's unique blues singers would bring fame and fortune with the ordinary folk and the next generation of jump and r&b singers.Ĭharles Waterford was from Jonesboro, Arkansas, born there on 21st October 1919 to musical parents who encouraged young Charlie in his singing career.
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Count Basie, Charlie Parker, Big Joe Turner and Pete Johnson, Hot Lips Page, Andy Kirk and Mary Lou Williams were just a few of the local musicians whose contributions were to enrich future American music. The Kansas City jazz scene between the two world wars was a fertile breeding-ground for musical invention and innovation. ~ Al Campbell, RoviĬrown Prince Waterford - Shoutin' The Bluesīorn Charles Waterford, 21 October 1919, Jonesboro, Arkansas The '90s found Bartholomew being inducted into the Rock and Roll Hall of Fame in 1991 and releasing two discs: Dave Bartholomew and the Maryland Jazz Band in 1995 and New Orleans Big Beat three years later. In the '70s and '80s, he took various behind-the-scenes musical jobs while living off his many song royalties and formed a Dixieland jazz band that continues to play around the Crescent City. Bartholomew stayed with Imperial until the hits dried up in the mid-'60s, followed by short stays at Trumpet, Mercury, and his own Broadmoor label. Chudd hired Bartholomew as house arranger, bandleader, and talent scout, and he immediately started cranking out numerous hits through the '50s for Fats Domino, Shirley & Lee, Smiley Lewis, Earl King, Chris Kenner, Tommy Ridgely, Frankie Ford, Robert Parker, and a host of others. In 1949, Bartholomew met Lew Chudd who was forming a new label, Imperial Records. Bartholomew led his first studio session under his own name in 1947 for Deluxe, but the label went out of business shortly thereafter and the sessions went unnoticed. This became the band that backed up the majority of solo talent traveling through New Orleans. After his stint in the service, Bartholomew returned to New Orleans and put together a group of musicians that would comprise the bedrock of R&B in the city, including saxophonists Alvin "Red" Tyler, Lee Allen, and drummer Earl Palmer. His military time brought scoring and arranging experience which came in handy following World War II. He fronted several bands in the Crescent City before being drafted into the army. His first instruments were tuba and trumpet. Bartholomew was born in Edgard, LA, on December 24, 1920. Track listing can be found at Stefan's site.ĭave Bartholomew is the multi-talented figure behind a majority of classic New Orleans R&B of the '50s and the self-proclaimed inventor of the "Big Beat." Bartholomew has over 4000 songs in his enormous catalog and is responsible for arranging and producing timeless records by Shirley & Lee, Lloyd Price, Smiley Lewis, and especially Fats Domino. You don't need these as everything is available in far better quality spread over a 100 cd's. DIY covers from Skinnymom as the original white covers are boring. The sound quality and mastering of the LP's ranges from OK to bloody awful with vol. You might get the occasional pop/click but nothing serious. These are new rips at 320kbs from vinyl that is at least VG+ and all with the original inserts except vol.